Object
Toy – 2012
It involves approaching the object and transforming, via dialectical methods, the vision into its representation.
Choosing a rectangular surface in two dimensions, spreading volume on flat space.
Using the rules of perspective as suggested by the darkroom. Drafting, sketching, jotting notes.
Gradually breaking away from the illusionary representation and going deeper, delving,
extracting what lies beyond the visible and the expressible.
Gradually breaking away from the illusionary representation and going deeper, delving,
extracting what lies beyond the visible and the expressible.
Deciding on what to withhold, to conceal, material cut up, swiftly stuck,
unstuck again, so many artifacts implemented in order to transcend the visible.
Inducing the paint to run and drip, producing voluntary gaps favoring the required result.
Preserving the accidents and blots that witness the random acts and the renewal they generate.
Hanging the painting. The window masters the eye.